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Showing posts with label Partners in Crime Tours. Show all posts

Monday, November 3, 2014

Review & Giveaway: Misdirection by Austin Williams

Misdirection
The Rusty Diamond Trilogy

by Austin Williams

on Tour at Partners In Crime Virtual Book Tours October 17 - November 21, 2014




Book Details:


Genre: Mystery, Suspense, Thriller
Published by: Diversion Books
Publication Date: June 24, 2014
Number of Pages: 266
Series: 1st in The Rusty Diamond Trilogy
ISBN: 9781626813557
Purchase Links:


My Thoughts: Rusty has been hiding in his home town for the past year. All that changes when his landlord turns up dead and he becomes the main suspect. What Rusty does when faced with this is surprising. I love that Rusty has hidden demons and I was anxious to keep reading to find them all out. His quick critical thinking and skills as an illusionist have the tendency to get him in trouble. The suspense and action begins with the first page and continues to the very last. I look forward to seeing what is in store for Rusty in forthcoming books. 

Synopsis:

A street magician needs more than sleight-of- hand to survive getting embroiled in a murder case in this blistering novel of suspense, perfect for fans of Harlan Coben and George Pelecanos.
After years of chasing fame and hedonistic excess in the bright lights of Las Vegas, Rusty "The Raven" Diamond has returned home to Ocean City to piece his life back together. When he finds himself an innocent suspect in his landlord's brutal murder, Rusty abandons all hope of maintaining a tranquil existence. Acting on impulse, he digs into the investigation just enough to anger both the police and a local drug cartel.
As the unsolved case grows more complex, claiming new victims and inciting widespread panic, Rusty feels galvanized by the adrenaline he's been missing for too long. But his newfound excitement threatens to become an addiction, leading him headfirst into an underworld he's been desperately trying to escape.
Austin Williams creates an unforgettable protagonist in Rusty, a flawed but relatable master of illusion in very real danger. As the suspense builds to an explosively orchestrated climax, Williams paints a riveting portrait of both a city—and a man—on the edge.


Read an excerpt:

The bloodstain was shaped like Florida. Rusty didn’t know much about geography, probably couldn’t point out more than a handful of states on a map. But he knew what Florida looked like, even though he’d never been there. And the mass of drying blood stretching across the hardwood floor, coming to a rounded tip a few inches from his leather boots (this tip just slightly darker than the wide stream comprising most of the stain) was a dead ringer for the Sunshine State.
He knew it was a strange thing to consider, given the circumstances. Hardly an appropriate mental response to such an intensely disturbing situation. He wasn’t in shock, exactly, but he had no idea what to do with himself. There was nothing he could do until the police arrived. Which should be any minute now. In fact, he was starting to wonder what the hell was taking so long.
Rusty wasn’t sure of how much confidence to place in the Ocean City Police Department. When it came to traffic stops and busts for disorderly conduct, open containers, public nudity and the like, the OCPD was surely qualified.
But murder? That had to fall well outside the parameters of what the local law was accustomed to handling on a regular basis. Or so Rusty mused, mainly to occupy his mind and not keep checking his wristwatch every ten seconds.
Rusty stared at the bloodstain’s surface congealing in the reflection of an overhead lamp. About two feet in width at the center, it grew wider near its source. That source was the throat of a frail silver-haired woman who lay crumpled on the floor. The upper half of her body reached into the living room while her legs protruded onto the dull yellow linoleum of the kitchen. One orthopedic shoe lay on its side next to the stove, the other still on her left foot.
Two more minutes and I’m calling 911 again, he told himself.
This house in which he was currently the sole occupant—not counting its recently deceased owner—wasn’t technically located in OC proper but in a remote enclave called Ocean Pines, separated from the main town by eight miles of salty bay water. A quiet upscale community, Rusty had a fairly complete knowledge of its character, having spent the first eighteen years of his life here and moving back ten months ago.
Next Thursday would be his thirty-sixth birthday. He had little awareness of that fact, and less interest in it.
For all Rusty knew, this was the first murder to darken the Pines’ suburban pastoral facade since the town was incorporated in 1958. And it definitely was murder, of that he had no doubt. No one could conceivably take their own life in such a manner, and certainly not a frail seventy-eight-year-old spinster.
The opening in Ms. Garrett’s throat was not long, maybe three inches at most. It looked like more of a gouge than a slash. There was no knife or sharp implement anywhere in the room, and Rusty didn’t dare step over the body to take a look in the kitchen.
The skin around the gash didn’t appear to have been torn with a blade, but hacked away by a cruder implement.
Fingernails? Teeth?
Rusty shuddered as he pondered the options, and forced himself to stop thinking about it.
The hum of a car’s engine and pebbles crunching underneath a set of tires claimed his attention. He walked to the front door, pulling aside a sash by the adjacent window to look outside into the hazy afternoon light.
Finally.
An Ocean City Police Department patrol unit sat in the driveway, engine idling. Rusty saw the door swing open, and a powerfully built officer stepped out. He grimaced. The cop didn’t appear to be much older than a high schooler. Probably fresh out of the Academy with plenty to prove behind the badge.
Why didn’t they send a detective, Rusty wondered, unlatching the door and opening it slowly so as not to make a surprise appearance on the front porch. Well, it was possible the OCPD’s homicide unit didn’t keep more than one ranking detective on any given shift. They probably didn’t need more than that.
The young patrol cop was taking purposeful strides toward the house, fleshy face set tight as he spoke into a shoulder mic, confirming with a dispatcher his arrival at the location. His eyes widened just slightly before narrowing as he made a quick appraisal of Rusty Diamond.
“You’re the one who made the call?”
Rusty nodded.
“She’s in there,” he said, stepping aside to let the patrol officer enter the house.
The cop had not taken two full steps into the living room when he stopped abruptly, one hand falling onto the service revolver holstered on his right hip.
“Jesus Christ.”
“Yeah,” Rusty said. “That was pretty much my reaction.”
For a moment they stood there, two tall male shapes looming over a plump female form in a spattered floral dress.
“Found her just like this?”
“That’s right. I didn’t touch anything.”
“How long?”
“Can’t be much more than fifteen minutes. I called right away.”
“You know her?”
“Her name’s Thelma Garrett. She’s my landlord.”
The sound of that didn’t sit right with Rusty; it was too removed and devoid of any kind of feeling. He almost added something like, 'She was kind to me', but figured that was bound to come out wrong.
The cop finally looked up from the old woman’s body, seeming to peel his eyes away by an act of will.
“You live here?”
“No. She owns … owned a second house not far from here, on Echo Run. I’ve been renting it.”
Those words brought on a sudden rush of memory. Rusty could see with total clarity in his mind’s eye the day he first met Ms. Garrett. Just over ten months ago, on a frigid January morning. The meeting didn’t happen here but at the rental house he’d occupied ever since.
At the time Rusty was so disoriented at finding himself back in Ocean Pines after such a prolonged absence that he had some difficulty maintaining a conversation with the chatty spinster. He agreed to her proposed rental fee, which seemed low for a three-bedroom furnished property overlooking Isle of Wight Bay. Location alone must have made the house a highly desirable piece of real estate, and he couldn’t figure why she was willing to rent it out for such a reasonable sum.
Speaking in the kindly, crinkly voice he’d come to associate with her in all moods, Ms. Garrett replied she had no use for the property or a large boost in income. Once shared with her husband and the scene of many festive gatherings, it was too big for her current needs. And too lonely. Living as a childless widow in a modest two-bedroom tract house on nearby Heron Lane was much more comfortable.
Thelma (she’d insisted Rusty use her first name) didn’t want to go through the hassle of trying to sell the larger house in a lackluster market, and was glad to simply know it would be occupied after many dormant years. It depressed her to think of the house where she and her family had shared so many good occasions sitting dark and forlorn all this time. Rusty signed the lease, feeling halfway guilty for paying so little.
“How’d you happen to find her?” the patrol officer said, yanking Rusty back from his reverie.
A slight whiff of something Rusty didn’t like crept into the cop’s voice. A taunt, almost, most likely the by-product of youth and rattled nerves. He scanned the badge pinned to the kid’s chest.
“Tell you what, Officer Neely. Why don’t we go through the whole thing when a detective gets here. Someone’s on the way, right?”
“I’m the one you need to talk to now.”
“Officer, trust me. I’m going to give my full cooperation. Whoever did this needs to …”
He stopped. The cop was looking at him with a new kind of scrutiny. Now that the initial shock of seeing the dead woman was fading, he seemed to take a full view of Rusty for the first time. The expression on his face didn’t make much of an effort to hide a sense of disgust.
Rusty suddenly wished he’d kept his leather jacket on, but the living room had become stifling as he stood here waiting for the cavalry to arrive. The jacket lay draped on a sofa and he was wearing a black tank top, leaving his shoulders and arms open to easy view. Perusal would be more accurate, given the snaking tracks of words and symbols tattooed across much of his upper torso, coiling around the back of his neck and splitting into two vines that reached down both arms almost to the wrists.
“Latin, for the most part,” he said with a self-deprecating shrug. “Just for looks, really. I don’t know what half of it means myself.”
Officer Neely’s posture tensed visibly. His fingers once again found a place to rest on his gun.
“Turn around slowly, and show me your hands.”
Rusty tried to pretend he’d misheard.
“Sorry, what?”
“Come on, do it.”
“You’re going to cuff me? I’m the one who called this in, remember?”
“Just turn around. We’ll keep you nice and snug till backup gets here.”
“Look, I’m as freaked out as you are. But I didn’t do anything to this poor woman.”
“You’re resisting? I said let’s see those hands.”
He unsnapped the button on top of his holster. It seemed like a good moment to do something.
“For the last time, turn around!”
Rusty knew he could disarm this uniformed frat boy in just about 2.7 seconds. The task wouldn’t present much of a challenge. He could easily divert Neely’s eyeline with a lateral, non-aggressive movement of his left arm. Momentarily distracted, the cop would never see the fingers of Rusty’s right hand extracting a one-inch smoke pellet from a customized hidden pocket in his jeans. Pinched at the proper angle, the pellet would explode in a blinding flash followed by a plume of gray smoke. Utterly harmless but highly effective for misdirection.
The span of time Officer Neely would need to recover from his surprise would offer Rusty ample opportunity to relieve him of the gun. Using his fingertips, he’d grab the wrist and isolate pressure points causing Neely’s hand to open involuntarily. From there, Rusty would simply reposition his body at a 45-degree angle and use his left hand to retrieve a sterling set of monogrammed handcuffs tucked in a different hidden pocket. One more second would be sufficient to cuff the young patrolman to a column of the bannister directly behind him.
They were only trick cuffs, but Officer Neely didn’t know that. And unless he could perform with great precision, the sequence of twisting wrist movements needed to unlatch them, the knowledge wouldn’t do him any good. So, yes, the maneuver would surely come off. Just as successfully as it had in a thousand performances, even if those all occurred some time ago and Rusty’s reflexes were no longer quite what they used to be.
But what would any of that accomplish other than to greatly amplify a sense of suspicion for his role in a brutal murder he had absolutely nothing to do with? Plus bring on a raft of other charges for failing to comply with orders, impeding police business, assault, et cetera. Obviously it was a bad play all around, however tempting.
So Rusty slowly turned 180 degrees and lowered his hands. Audibly relieved, Officer Neely stepped forward and bound them with a pair of un-monogrammed OCPD handcuffs. They closed around his wrists more tightly then necessary, pinching hard on the skin.
Hearing the cuffs snap shut, Rusty glanced up and was startled by his reflection in a mirror above the sofa. He’d deliberately removed all mirrors from his own residence the day he moved in, and hadn’t gotten a good look at his face in many months.
Given his appearance today, he could hardly fault this overeager junior lawman for wanting to lock him in restraints. For a guy who’d once placed such a premium on maintaining a well-cultivated exterior, it was shocking to see just how unkempt he was. Had he really let himself go that much in the past year? Evidently, if the mirror was to be believed.
His long black hair, once treated daily by a personal stylist, was now a ratty mane. The two-pointed devil’s goatee, formerly a key visual hallmark of his stagecraft, looked no more than an uneven graying scrub. And all that ink: pentagrams, death’s head skulls and weird incantations etched up and down his sinewy arms.
Hell, anyone with a working pair of eyes would find Rusty Diamond a more than credible murder suspect.

Author Bio:

The new thriller by Austin Williams, Misdirection, is now available from Diversion Books. It is the first novel of The Rusty Diamond Trilogy.
Williams is the author of the acclaimed suspense novels Crimson Orgy and The Platinum Loop. He is the co-author (with Erik Quisling) of Straight Whisky: A Living History of Sex, Drugs and Rock 'n' Roll on the Sunset Strip.
He lives in Los Angeles.

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Monday, September 15, 2014

Excerpt & Giveaway: Track Presius Series by E.E. Giorgi

Track Presius Series, Books 1 & 2

by E.E. Giorgi

Book Blast on September 8, 2014



Chimeras

by E.E. Giorgi


Book Details:


Genre: Mystery/Thriller
Published by: Quemazon Publishing
Publication Date: April 5 2014
Number of Pages: 406
ISBN: 978-0996045100
Purchase Links:


Synopsis:

Haunted by the girl he couldn't save in his youth, and the murder he committed to avenge her, Detective Track Presius has a unique gift: the vision and sense of smell of a predator. When a series of apparently unrelated murders reel him into the depths of genetic research, Track feels more than a call to duty. Children are dying -- children who, like himself, could have been healthy, and yet something, at some point, went terribly wrong. For Track, saving the innocent becomes a quest for redemption. The only way he can come to terms with his dark past is to understand his true nature.


Kudos:

Chimeras is now a Reader's Favorite 2014 Book Award Finalist!! Check it out here: Reader's Favorite.

Read an excerpt:

PROLOGUE
It was one of those hot summer afternoons, with air made of cobwebs and a glare as sharp as pencils.
“Something’s wrong today,” I said.
“It’s L.A.,” my partner replied. “Something’s always wrong in L.A.”
A few hours later Johnny Carmelo was dead, his brains skewered by the whistling path of one of my bullets. He collapsed on the pavement, a red trickle of blood weeping down his face. They told me they weren’t going to clear me back to duty until the investigation was over. I left the next day. I drove up to the Sierras, camped in my truck, and hunted at night.
There are days I long to disappear in the wild, go back to the predator life I was meant to have. Kill the prey or be killed: it’s in my genes.
A chimera, that's what I am. And this is my story.




Mosaics

by E.E. Giorgi


Book Details:


Genre: Mystery/Thriller
Published by: Quemazon Publishing
Publication Date: 9/2014
Number of Pages: ~410
ISBN: 978-0-9960451-1-7
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Synopsis:

Dubbed the Byzantine Strangler because of the mysterious mosaic tiles he leaves at the crime scene, a new serial killer is stalking the streets of Los Angeles. Racing to decipher the code encrypted in the tiles before the killer strikes again, Detective Track Presius faces a new challenge: the "awakened" genes that make his vision and olfactory sense so sharp are now taking a toll on his life. When a new set of tiles appears in his own backyard, Track makes a chilling realization: those very same genes that are threatening his life are drawing the Byzantine Strangler closer and closer. The line between hunter and hunted has suddenly blurred. Will Track be the next piece of the mosaic puzzle?


Read an excerpt:

MOSAICS – excerpt

A dark hallway with no windows opened to the right of the foyer. The smells changed—the staleness of a vacant place and the victim’s scent—feminine, ambitious, seductive. The wall displayed wrought iron sconces and a collection of photos of Amy—Amy in her graduation gown, Amy with friends, Amy with her cat. A pretty face, I noticed, whose beauty didn’t distract from an underlining drive for determination.

Her bedroom was orderly. There was a half-empty birth control kit in her nightstand drawer, but no boyfriend in her life, according to the friends and relatives interviewed, only an ex-husband who now lived in Oregon. Toiletries on her vanity table, regular clothes in her closet, a few garments in her drawers that told me she was no nun, but no distinctive masculine scent anywhere. If she shared her bed with somebody, she’d done a good job at hiding it. The sheets smelled clean and freshly washed.

The next door let to her home office, a small carpeted room with a couple of white bookcases, a table with a desktop and printer, a metal chair, and, on the opposite side, a futon, a laundry basket, and an ironing table folded against the wall. Through the window, the hills of Montecito glowed against the evening sky, a wavy fabric of glimmering lights.

I inhaled. The bookshelves were crammed with medical books, the desk buried under stacks of papers.

The sweet, foul smell of the tiles…

I sat at the desk, opened the drawers, sniffed the keyboard, then the computer screen.

Not here. Close, though.

The papers. He went through the pile of papers.

I rummaged through the folders not knowing what to look for, just tailgating a smell. Gloved fingers had brushed through printouts and graphs, tables, essays, research proposals…

Did he find what he was looking for? And if so, what?

Article after article of scientific jargon, each title some random permutation of the words immunodeficiency, vaccine, study design, therapy, antiretroviral.

“What are you gonna see in the dark?” By the office door, Satish flipped the light switch.

“Smells.”

“On paper?”

“Yeah. And patterns, too,” I said. I sniffed the top right corner. I could follow the gloved fingers searching through the pile of papers, most likely a left thumb holding up the top ones so he could read the titles, and a right index flipping through. Until the trace stopped.

He found what he was looking for. Probably took it with him.

I inhaled and gave one last look around. Everything else seemed untouched.

“What did Gomez have to say?”

Satish shook his head sideways. “Autopsy’s scheduled for Thursday morning. Just got an invitation. Wanna join the party?” He smiled. Waited.

Amy Liu smiled too, from a silver frame on her desk, a man’s hand draping her shoulder, and a strand of black hair blowing over her face.

“Fine,” I said, walking past him out of the room. “I’ll keep you company on Thursday, but—” He switched the lights off and followed me back to the foyer. “Uh-uh, Track. First things first. Tomorrow you pee in a cup and get your LAPD badge back.”

“I pee in a what?”

We locked the house, replaced the yellow crime scene tape. The air was tainted with a hint of humidity and the scent of jacaranda blooms. A handful of pale stars dotted the sky, the glow of downtown beneath them like a disoriented dawn. A broken streetlight strobed from farther down the street. The Latino music persisted. Yo sufrĂ­ mucho por ti, mi corazon… Satish unlocked the car and slid behind the wheel. “Union mandated drug test. Your leave of absence from the department was longer than ninety days. Welcome back to regulations, Detective Presius.”

I made a face.

“Look at it this way. Whoever handles those cups has it way worse than you.” He started the engine and backed out of the driveway. “Shit happens, Track. Never forget that.”

“Hard to forget on days like this.”

I rolled down the window and let cool air blow in my face. The freeway droned in the distance, as another night descended upon L.A. Another murder, another killer on the loose.

It was June 2009, the beginning of summer.

Killing season had just started.





What Readers Think:




Author Bio:

E.E. Giorgi is a scientist, a writer, and a photographer. She spends her days analyzing genetic data, her evenings chasing sunsets, and her nights pretending she's somebody else. On her blog, E.E. discusses science for the inquiring mind, especially the kind that sparks fantastic premises and engaging stories. Her detective thriller CHIMERAS, a hard-boiled police procedural with a genetic twist, is now available on Amazon.

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Tuesday, February 11, 2014

Guest Post & Excerpt: Blood Drama by Christopher Meeks

Title: Blood Drama
Author: Christopher Meeks
Genre: Thriller/Suspense
Publisher: White Whisker Books
Publication: June 1, 2013
Number of Pages: 240
NOTE: Graphic Violence


Amazon|B&N|Goodreads

Synopsis: 
"Blood Drama is wildly entertaining with fast-paced dialogue and plot twists caroming like a steel ball in a pinball machine." -Linda Hitchcock, BookTrib
In the crossover thriller BLOOD DRAMA, graduate student Ian Nash, after losing his girlfriend, gets dropped from a Ph.D. program in theatre. When he stops at a local coffee shop in the lobby of a bank to apply for a job, the proverbial organic matter hits the fan. A gang of four robs the bank, and things get bloody. Ian is taken hostage by the robbers when the police show up. Now he has to save his life.
Excerpt: 
Chapter One

“Coffee?” Ian said in the discomfort of Professor Cromley’s office. The place looked like a small book depository with a view and a Mr. Coffee machine.
“Ian… Ian… Look, Ian. I’m—”
“I just thought we were meeting with—”
“We met.”
“Without me? I don’t understand.”
“Coffee?” said the gray-bushy-haired man, pouring himself a cup. “Maybe some coffee would put you at ease.”
“But the committee—”
“So I’ll get to the point. We don’t think you’ve shown enough progress in your dissertation.”
“Two hundred pages?”
“You’re taking the wrong approach on Mamet.”
“It’s still a work in progress.”
“People are like gloves,” Cromley said. “And sometimes they don’t fit. It’s not just the dissertation. It’s your whole performance in the program.”
Ian felt a rage building, but that wouldn’t help. A better approach was needed. He calmed himself as best as he could, flattening the new blue silk tie he’d bought for the occasion against his blazer. “I’m sorry, sir,” he said. “Maybe we’ve miscommunicated in the last few meetings. You’d given me certain dates, and I’ve kept to those dates.”
“We debated long and hard, Ian,” said the professor, sitting. The man looked toward Ian but not at Ian, as if delivering sad news to a war vet’s spouse. “Your research isn’t breaking new ground, and the recent problem with the class you taught—”
“I can’t help low enrollment.”
“I’m talking about your blow-up with that student—”
“Her rant against men—”
“No matter.”
The rest of the meeting felt like a slow-motion crash. He was out of the program, as easy as lights out at the end of a play. He stared out Cromley’s window at the wide view of campus, at modern buildings tucked into the green landscape, at trees still lush in October, their leaves blowing like moving fingers. The view was as if from Mt. Olympus. Was Cromley a god?
As Ian Nash drove his twelve-year-old Corolla the fifty miles north on Interstate 5 from the University of California Irvine campus back to his South Pasadena rental, he kept replaying the conversation. He was a glove? He didn’t fit the program? If it don’t fit, you must acquit, he thought. Ian had paid the tuition and taught. He attended the classes. Just because one undergraduate student was out of line was no reason to be thrown out of the program.
“Don’t think of it as failing,” Cromley had said. “Think of it as an opportunity to do something else.”
That was outright snide. What would he do now for money? What would he do now for his life?
He was so consumed with these thoughts, he missed the Marmion Way turnoff on the Pasadena Freeway, which, if you weren’t looking for it, came up so fast around a bend, you’d zoom by it as he did. Ian exited at Orange Grove, and, again so caught up in his thoughts, he drove without paying attention. He would need a job. What would he do for work without his degree? And what was to be learned here? After all, as David Mamet wrote in his book, Three Uses of the Knife: On the Nature and Purpose of Drama, “We have our ability to learn a lesson, which is our survival mechanism.” The lesson was he needed money to live.
On Fair Oaks Boulevard in South Pasadena, moments after he decided he could use a coffee now, Ian noticed the logo of Carrie’s Coffee on the Landwest Bank Building. He wondered would Professor Cromley call that a “deus ex machina,” a coincidental ending? An ending to what? His morning? No, sometimes coincidences happened.
The gold-painted brick building stood out from its neighbor, the pharmacy. Carrie’s Coffee paid well, he remembered one of his students saying in a directing seminar he’d taught. The small franchise had a health program and offered flexible hours. Amber, his former undergraduate student, made manager in no time at a Carrie’s and loved the place. Perfect. He turned into the open lot. Ian would apply to Carrie’s. He wasn’t the kind of guy to mope around. He wouldn’t let Cromley get the best of him.
Inside, Ian was surprised to see that Carrie’s was part of the grand marble-floored bank lobby. Potted plants, mahogany wainscoting on the walls, and the same wood was used for the open teller area and the Carrie’s counter. It gave the place a friendly feel. Tables and chairs were for the coffee drinkers, and comfortable leather seats were placed near the inset fireplace with burning gas logs. This would be a great place to work.
Ten minutes later, a Carrie’s application before him, Ian sipped his coffee and shook his lucky Cross pen hard in a swift metronome motion to force all the blue to hit the tip. The pen hadn’t been lucky for him with Cromley. Ian made incessant circles on the back of the application. He knocked the pen against his wrist and made circles again. The pen came back to life.
He glanced around. Bank business was brisk. A long line stretched all the way back to Carrie’s tables. It was a Friday, after all. People were cashing paychecks or getting money for the weekend. There were more people working than he expected.
Ian returned his attention to his application and filled out most of it. “Salary desired” said one of the last spaces. As an undergraduate lecturer, he’d been making over forty dollars an hour, but he couldn’t get that here. What was minimum wage these days? He didn’t know. Was fifteen dollars an hour too much to ask for? He wrote it in, scratched it out and wrote in sixteen. Maybe it should be less, and he scratched out the whole space. Now it was too sloppy. He folded the application in half and put it in his blazer. He’d ask for another. He laid down the pen, took a sip of coffee, and looked around again. It was a great place to watch people as they came from all directions. 
Ian spotted a woman with a white scarf come from the hallway and restrooms to the left of the teller area. She sashayed toward him like a model, wearing tight jeans and a killer push-up halter-top in green, and, despite her sunglasses, Ian knew their eyes connected because she smiled. He smiled. Definite connection. She then fiddled in her purse, standing at the end of the banking line near him. Today was working out after all. Another possibility: she could be Stella in A Streetcar Named Desire. She was gorgeous, had that sense of intelligence, and might be looking for kindness from strangers. Maybe she would be the one, his one, the one who’d make the last relationship fiasco with Pierra just a stumble on his path—not to mention the vitriol from his female student, the one who’d gotten him fired. How could he get her attention again? He cleared his throat. Nothing. Then he sneezed really hard. She and a few others in the line turned around. “Gesundheit,” she said. Their eyes connected again.
“Thanks,” he replied. She returned to her purse and pulled out a gun. She shouted, “This is a holdup. Everyone lie on the floor. Shut your eyes!” 
The tellers and everyone dropped. So did the people at Carrie’s. So did Ian. Only the music playing in the background, Rod Stewart’s “Maggie May,” kept going. Stewart said, “Oh, Maggie.”
Ian’s blood pounded so loudly in his ears, and his breath came with such difficulty, that he thought he might pass out. He shouldn’t have come here. Coincidence again? He could hear Cromley quoting Mamet from Ian’s dissertation: “It is difficult, finally, not to see our lives as a play with ourselves as hero.” He didn’t feel heroic in the least. Was this determinism at work? If he hadn’t missed his exit, he would have been home and would have missed this. We are what we do.
Ian could hear footsteps near him, one set, then another. Accomplices? Ian didn’t see any of the action because his cheek lay against the marble floor and his eyes were closed. Best to do what they wanted. He could hear movement in the teller area, then sounds of bank drawers opening. 
Ian opened one eye. People lay around him like fallen mannequins, unmoving. The hold-up woman’s legs were like denim saplings. She wore tight boots with sharp heels.
A shot rang out, then another, and Ian squeezed both eyes so hard he’d hope it’d keep all bullets away. A man screamed in agony. 
“Why’d you do that?” shouted the woman.
“He had a gun,” her male accomplice yelled back. 
Ian looked. Who got shot? 
“Help… me,” groaned a male voice.
Ian lifted his head. The woman pressed hard on the guard’s shoulder to stop blood, which covered his shirt and her hand. She looked upset about it, ripping the guard’s shirt to make a tourniquet. Two men were behind the tellers’ counter bagging money. One of them, a tall burly guy with perspired underarms, had a ski mask on, but the other, a thinner man, had no mask, only a thin mustache, sunglasses, and a baseball cap. No one else moved. 
Ian quickly lay back down, but he was breathing faster. If he died, would anyone know to call his parents in Winnipeg? Would they care if he died? Did anything in his wallet say Winnipeg? 
At least he was in his good blazer and pants. His mother had told him as a kid to always wear clean underwear in case he was found dead that day. Today might be the day, and he had not only clean underwear, but also a new silk tie from Macy’s, one he bought for the committee. Maybe he shouldn’t have worn good clothes and clean underwear. Maybe the grim reaper would stay away if he’d worn yesterday’s boxers and a dolphin T-shirt from Tijuana.
“Zetta,” shouted the gunman. “Leave him be. We gotta go.” 
He said her name? That wasn’t bright, thought Ian.
“Keep bagging,” Zetta said back. In a softer voice she added, “You shouldn’t have done this.” Ian again looked up. He had to see. There was blood on the marble. Zetta, however, was twisting a tourniquet on the guard’s upper arm. The guard was totally immobile, breathing hard, and his eyes stared toward the ceiling. The man looked to be in shock, perhaps even close to death.
A siren broke the silence. No—there were sirens, plural.
“It’s past two minutes,” said the man with the mustache in a high voice and sweaty face.
“To the car,” said the woman, jumping up, and the two men bounded over the counter. 
“A hostage,” said the burly guy. “Which one?” Ian kept low, thinking to himself, please no, please no.
“I don’t know,” she said.
“How about one of the tellers?”
“No.”
“The woman by your feet?”
“No,” said Zetta.
“Who then?”
Not me, not me, not me, thought Ian.
The woman said, “Him!” and Ian’s heart leapt, hoping it was someone else, but he was prodded. 
“You!” said the ski-masked man who yanked Ian up. “Go!” The man shoved what had to be a gun into Ian’s neck. Ian stumbled forward, his mind whirling, wondering if he’d live out the hour. 
“Hurry,” said the man. 
Two people lying on the floor, a young man in blue jeans and a white T-shirt near the front door and a young woman, perhaps his girlfriend, in a yellow short dress, sprang up panicked as if this were their only chance. Stupid! Ian thought, and the gun behind Ian exploded twice more. The young woman fell with just a thud, her head now showing brains, and the young man shouted, his white T-shirt starting to turn red on the side. Shit, shit, they’re dead, I’m dead thought Ian.
Author Bio: 

Christopher Meeks was born in Minnesota, earned degrees from the University of Denver and USC, and has lived in Los Angeles since 1977. He's teaches English and creative writing at Santa Monica College, and has taught creative writing at CalArts, UCLA Extension, Art Center College of Design, and USC. His fiction has appeared often in Rosebud magazine as well as other literary journals, and his books have won several awards. His short works have been collected into two volumes, "The Middle-Aged Man and the Sea" and "Months and Seasons," the latter which appeared on the long list for the Frank O'Connor International Short Story Award. He's had three plays produced, and "Who Lives?: A Drama" is published. His focus is now on longer fiction. His first novel is "The Brightest Moon of the Century," and his second, "Love At Absolute Zero."
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Guest Post: 
READING FOR YOUR LIFE

"Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read." -- Groucho Marx

As I tell my students, a good story is as important as a great brain surgeon. That’s because stories help us understand our lives. We only get one life each, and at times we zoom through our existence far faster than we can process. Will we live well and do the right things? What happens when we do something wrong or if life otherwise twists us around? Stories can help us sort things out.

Stories are told or seen in such forms as in books, plays, films, YouTube videos, songs, apps, and even around a campfire. Reading, however, is a special form because it uses the most mental energy. According to the Harvard Medical School, thirty minutes of reading for a 155-pound person burns 50% more calories per hour than watching TV. That tells me thinking is going on, and thinking can produce meaning.

This isn’t to take away from the other forms of storytelling. In fact, two recent films, Inside Llewyn Davis and Frances Ha made me consider my existence in a way I had not for a while. The protagonists, Llewyn and Frances, each drift from day to day without any particular plan. They have little money, and, in the case of Frances, no visible natural talent. Llewyn, in contrast, has incredible gifts in singing and playing the guitar. He’s mesmerizing. Both he and Frances, however, when given choices, have the incredible ability to make the wrong ones. It made me feel a deep ennui and a sense that life is meaningless.

That also made me think. Life is only meaningless if you don’t have meaning. I’m reminded of my wife Ann, who works at a Catholic all-girls high school. Since she became the director of the library there nine years ago, the number of girls and faculty who use the library has more than doubled. There’s something appealing and positive about Ann who others besides me have discovered. Ann and the other librarian, Julie, don’t make the place into a silent monastery but rather a friendly environment. She encourages reference questions and teaches individuals and whole classrooms how to research and annotate. She has purpose, and the girls sense it.

I’ve also gotten to know Sister Barbara there. In her mid-eighties, slightly bent and favoring pantsuits and not a habit, Sister Barbara not only still teaches, but she counsels students and the administration. With the gravity and wit of Dumbledore, she’s highly practical and down-to-earth. Teenage girls can bring drama and quick mood swings, yet Sister Barbara can sit any girl down and speak in a way that calms the young lady, who then listens.

Perhaps what frustrated me with the characters of Frances and Llewyn is that they couldn’t process the wise and successful people around them. Llewyn, for instance, travels to Chicago from New York to meet with a record producer, played by F. Murray Abraham. Once Llewyn wriggles his way in and performs for the man, the producer offers practical advice—which Llewyn promptly dismisses.

The universe, however, constantly provides. Just now, grabbing breakfast after having started this, I read an article in today’s Los Angeles Times about screenwriter and director Akiva Goldman, who won an Oscar for writing A Beautiful Mind. He produced the Will Smith superhero comedy Hancock and wrote, produced, and directed episodes of Fringe. When he read the novel Winter’s Tale by Mark Helprin thirty years ago, he cried like a baby, finding the notions of enduring love and eternal destiny magical and complicated. Goldman says he sees the world as “a grown-up fairy tale where nothing is without purpose.”

That last line leaped out to me at the breakfast table. Our existence is completely dependent on our own attitude towards it. Meaning is there for us to take. Years ago, Goldman wanted to make Helprin’s Winter’s Tale into a movie and optioned it. He wrote drafts of a screenplay, but it was never just right.

Goldman’s wife, at 42, died suddenly from a heart attack four years ago, and he was thrown so hard, it took months to understand, grieve, and accept the loss. He also realized that Winter’s Tale was not just a book he’d merely enjoyed and wanted to film. Everything about it mattered. He rewrote the script and looked for a way to direct it. He approached old friends such as Will Smith, Russell Crowe, and Jennifer Connelly to work for scale, and he kept his own salaries to a minimum to nail financing for the film. The movie comes out February 14th.

Goldman says, “I’m the kind of romantic who likes to see the meaning in things. Just in its natural course, life is sufficiently hard. And if you can find the hope underneath that, that there is connectedness and some reason to it, then there’s some comfort in that.”

I teach contemporary novels and memoirs in my English classes. I always hope for—and so far, have seen—students who don’t like to read finding themselves enveloped by a story to the point of wanting to find other books for themselves. Last semester, we read two memoirs, Just Kids by Patti Smith about her early twenties, living with Robert Maplethorpe, and David Sedaris’s Me Talk Pretty One Day, a collection of things that have happened to Sedaris, which he spins with humor. From what my students wrote, they found meaning.

My own novels are written not didactically. I don’t have messages from the mount. However, I usually work through five drafts on each because the process leads me to my themes. That is, my subconscious mind is trying to tell me something through my characters and scenes, and once I understand the deeper meanings, I then know how to edit the book better.

For instance, with Blood Drama, I started with a premise based on my correcting student papers often at a Starbucks inside a bank. The setting was elegant and even had a fireplace. However, after about a year of going there, I realized banks get robbed, and do I really want to witness a potentially violent crime? That gave me a premise for a book. My protagonist is taken hostage in a bank robbery gone awry, and he must survive.

When I write, I come up with interesting characters, and I simply follow what they do. I’m not out to hammer home any point, but at the same time, good stories need a point. Once I understood what my characters Ian and Aleece were really needing—needing in their souls—my ending came to me.


Reading, writing, and teaching gives me deep purpose, and I have to keep exploring while I can.



Tuesday, August 13, 2013

Review & Excerpt: Black Caesar by Ron Chepesiuk

Black Caesar: The Rise and Disappearance of Frank Matthews, Kingpin

by Ron Chepesiuk

on Tour July 1 - August 31, 2013


Book Details:

Genre:  True Crime Published by: Strategic Media Books Publication Date: June 1, 2013 Number of Pages: 210 ISBN: 098524401 // 978-0985244019 Purchase Links:

Synopsis:

In 1973, 29-year old Frank Matthews jumped bail and disappeared with 15-20 million and beautiful mistress and has never been seen again. The book chronicles the meteoric rise and fall of Frank Matthews, history's biggest African American drug dealer and one of history's biggest manhunts to apprehend him.

Read an excerpt:

Prologue
Jumping Bail
“Mr. Deary, am I going to get that life count they've been talking about?”

Frank Matthews
JULY 2, 1973—a typical hot, muggy day in New York City. Frank Matthews, alleged drug kingpin, is scheduled to appear in a federal court in Brooklyn, New York. He is already facing six charges of drug trafficking and conspiracy, but the new indictment will add charges and supersede the first one. On December 20, 1972, federal prosecutors swore out a warrant for Matthews’ arrest, accusing him of possessing 15 kilos of cocaine worth an estimated $3.6 million at street prices. About two weeks later, the authorities finally arrested Matthews in Las Vegas, one of his favorite haunts, as he prepared to leave the city and fly to Los Angeles for the Super Bowl VII game between the Miami Dolphins and Washington Redskins. After being extradited from Las Vegas to New York City, Matthews had managed to secure bail despite the claim of the federal government that he is the U.S.’s biggest drug trafficker. Federal prosecutors and law enforcement officials who investigated the Matthews organization considered the bail of $325,000 a bad joke, and they worried that Matthews would skip town. After all, investigators had evidence that Matthews may be been quietly stashing $1 million a month for the past several months. So why, they wondered, would the drug kingpin be doing that unless he was preparing for his imminent flight? All Matthews had to do to meet the bond requirements was to report regularly to the U.S. Attorney’s office and stay within the jurisdiction of the Eastern District of New York. Being short of manpower, law enforcement had no way of keeping tabs on Matthews. The suspect’s attitude and demeanor reinforced the authorities concern. The charismatic and handsome Matthews swaggered into the federal courthouse and greeting everyone he met with a broad smile and a friendly nod, while flirting with the ladies. Law enforcement officials could only look on and marvel. “Frank looked and acted like the King of New York City,“ said Ray Deary, the Assistant United States Attorney for the Eastern District who had served in the Appeals Division since 1971. “He walked around our turf like he owned it.” Deary was right. Frank Matthews is no ordinary criminal. On the mean streets of the urban jungles of America Matthews’ exploits have earned him the moniker of “Black Caesar.” He is charismatic as well as dangerous and even his adversaries, the authorities, have a grudging respect for him. Matthews seemingly unconcern about the serious charges that could put him in jail for several decades baffled the authorities. They could not tail him, but they had received reports that Matthews has been conducting business with his associates even before securing bail. Sources within the West Street Detention Center, where Matthews had been detained after his arrest, observed that top lieutenants of his organization, as well as his lawyer, Gino Gallina, were visiting him frequently, and it seemed to the sources that Matthews was giving instructions and orders. After his release on bond, Black Caesar was seen in the company of several leading drug dealers and gamblers. Moreover, Matthews was in the constant company of Cheryl Denise Brown, a beautiful light skinned black woman who turned heads wherever she went. It should have been an embarrassment to the alleged drug kingpin since he had a common law wife, Barbara Hinton, and three kids waiting for him at home. But Hinton, herself an attractive woman, did not seem to be bothered or embarrassed by Matthews’ apparent public infidelity, even after the family was forced to leave their luxurious surroundings for a more modest apartment at 2785 Ocean Parkway in Brooklyn. In better days, Matthews had used the Ocean Parkway apartment as a getaway and a place to stash his many paramours. In their effort to nail Matthews, prosecutors hauled Hinton before a grand jury, offering her immunity if she would cooperate with their case against her husband. Hinton refused, even though she faced a possible conspiracy charge herself. Then a few days before his scheduled court appearance, Matthews arrived in the Brooklyn federal court building with his lawyer, Gino Gallina when he bumped into Federal Prosecutor Raymond Deary as Deary was leaving a room. Matthews said to Deary, “Mr. Deary, am I gonna get that life count they been talking about?” Matthews was referring to part of section 848 of the Controlled Substances Act of 1970: “Any person who engages in a continuing criminal enterprise shall be sentenced to a term of imprisonment which may not be less than 20 years and which may be up to life imprisonment.” The thought of Section 848 terrified many traffickers because they feared that, if convicted under the statue, they would spend the rest of their lives in prison. Deary looked at Matthews and said, “It’s very possible Frank….very possible.” Later, Deary said he was joking, but for Matthews, spending his life in jail was no joking matter. “Frank knew what the 848 could do to him,” recalled Liddy Jones, a former drug kingpin and an associate of Matthews. “No way was he going to spend the rest of his life in jail.” Inside the steamy courthouse on this sweltering July day in 1973, the electric fans whirred as the judge, federal prosecutors and the defense team waited patiently for Frank Matthews to appear. But he never did. Instead, he became a fugitive from justice. In the coming weeks, the U.S. Drug Enforcement Administration (DEA), the lead agency in the investigation of Frank Matthews, is confident they will apprehend the fugitive. After all, don’t law enforcement officials always get their man? The weeks turned into months and the months into years, and law enforcement did not catch him. The U.S. Marshal Service took over the hunt for Matthews from the DEA. There were alleged sightings of Matthews in more than 50 countries. Cheryl Brown, Matthews’ mistress disappeared the same time he did, and her whereabouts were just as mysterious. No informant stepped forward. No bodies were ever found. No fingerprints were discovered. No solid leads appeared. Nothing. With time, law enforcement moved on to other priorities. New generations of law enforcement officials replace the old guard and they knew little about Matthews. Periodically, Matthews’ story appeared briefly in the press and rekindled speculation. Is he alive or is he dead? The public wondered. But then the reports faded from public consciousness and people focused on other crime stories. What follows is the remarkable story of the legendary Frank Matthews, one of organized crime’s most original gangsters. It is the story of the biggest gangster mystery of all time. It is a story with an improbable beginning and a story with no conclusive ending.

My Thoughts: This is a great read. I have always loved the True Crime genre but Ron Chepesiuk has taken it to a new level. The mystery surrounding Frank's childhood and his disappearance drew me in. Chepesiuk's causal writing style made me feel as if I was talking with a friend. While reading I developed my own theroies of what happened to Frank and I enjoyed reading Chepsiuk's. If you know a true crime lover pick this up for them. 

Author Bio:

Ron Chepesiuk is an award-winning author and a publisher, screenwriter and documentary producer and director. He’s a two-time Fulbright Scholar to Bangladesh and Indonesia and a consultant to the History Channel’s Gangland TV series. His books include Sergeant Smack, Gangsters of Harlem, Gangsters of Miami, among others. He is also Executive Producer and co-host of the popular radio show Crime Beat (www.artistfirst.com/crimebeat.htm). For other books by Ron Chepesiuk go to www.strategicmediabooks.com.

Catch Up With Ron:


Tour Participants



*This book was provided by the author and/or publisher for Partners In Crime Tours in exchange for an honest review*


Tuesday, July 23, 2013

Interview & Excerpt: Slingshot by Matthew Dunn

Slingshot

by Matthew Dunn

on Tour June 25 - July 31, 2013


Book Details
Genre:  Fiction
Published by: William Morrow / HarperCollins Publishers
Publication Date: June 25, 2013
Number of Pages: 416
ISBN: 9780062038029

Synopsis:

Master spy Will Cochrane must catch a missing Russian defector as well as one of Europe’s deadliest assassins in this action-packed follow-up to Sentinel, written by real life former field officer Matthew Dunn. 

Will Cochrane monitors the nighttime streets of Gdansk, Poland—waiting for the appearance of a Russian defector, a man bearing a top secret document, who Will believes is about to step out of the cold and into the hands of Polish authorities. But suddenly everything goes sideways. The target shows up, but so does a team from Russian Foreign Intelligence Service (SVR) hell-bent on keeping the man from walking. Then, in a hail of crossfire, a van speeds into the melee and snatches the defector out from under them all. Everyone wants the man and the codes he carries—but now he’s gone and it’s up to Will and his CIA/MI6 team to find him before the Russians. 

Will tracks both the missing Russian and his kidnappers, believing the defector has his own warped agenda. But soon it’s apparent that the real perpetrator could be someone much more powerful: a former East German Stasi officer who instigated a super-secret pact between Russian and US generals almost twenty years ago. An agreement, which if broken for any reason, was designed to unleash the world’s deadliest assassin. 

Then Will learns that the Russians have tasked their own ‘spycatcher’—an agent just as ruthless and relentless as Will—to retrieve the document. Now Will knows that he faces two very clever and deadly adversaries, who will stop at nothing to achieve their aims.


Read an excerpt:

Chapter 1 
Berlin, 1995 

Each step through the abandoned Soviet military barracks took the Russian intelligence officer closer to the room where men were planning genocide. 

Nikolai Dmitriev hated being here. 

And he loathed what he was about to do. 

The barracks were a labyrinth of corridors and rooms. Icy water dripped over the stone walls, covered with paintings of Cold War–era troops and tanks; the air was rank with must; the officer’s footsteps echoed as he strode onward, shivering despite his overcoat and fur hat. Previously, the complex would have housed thousands of troops. Now it resembled a decaying prison. 

He turned into a corridor and was confronted by four men. Two Russians, two Americans, all wearing jeans, boots, and Windbreakers, carrying silenced handguns. The Special Forces men checked his ID and thoroughly searched him. It was the seventh time this had happened as he’d moved through the barracks. Two hundred Russian Spetsnaz operatives and an equal number of U.S. Delta, SEALs, and CIA SOG men were strategically positioned in the base to ensure that every route to his destination was defended. Their orders were clear: kill any unauthorized person who attempted to get near the men in the room. 

The men motioned Nikolai forward. 

Reaching the end of the corridor, he stopped opposite a door. Extending his hand to open it, he hesitated as he heard a high-pitched noise. Glancing back, two rats in a stagnant pool of water and grease were ripping skin and flesh off the dying carcass of another screeching rat, neither predator attempting to fight the other for the meat; instead they seemed to be cooperating. He wondered if he should turn around and leave while there was still time. Everything about his presence here was wrong. But he was under orders. 

He entered. 

It was a large mess hall. Ten years ago, he would have seen long trestle tables and soldiers eating their meals. Now it was bare of any furnishings save a rectangular table and chairs in the center. Graffiti covered the walls, most of it crude, deriding the Soviet Union. Cigarette smoke hung motionless in the stagnant air. Rainwater poured from cracks in the high ceiling onto the concrete floor. 

Sitting on one side of the rectangular table were a U.S. admiral, a U.S. general, and a CIA officer. Opposite them were two Russian generals. Between them were two files, and ashtrays. None of the men were in uniform; the presence in Germany of America’s and Russia’s most powerful military commanders was secret. As was the presence of the intelligence officers. Nikolai himself was Head of Directorate S—the SVR’s division with responsibility for illegal intelligence, including planting illegal agents abroad, conducting terror operations and sabotage in foreign countries, and recruiting Russians on Russian soil. The CIA officer at the table was Head of the Special Activities Division—responsible for overseas paramilitary activities and covert manipulation of target countries’ political structures. 

At the head of the table was a small, clean-shaven, middle-aged man with jet black hair. Dressed in an expensive black suit, a crisp, woven white silk shirt, and a blue tie that had been bound in a Windsor knot, the man removed his rimless circular glasses, polished them with one end of his tie, and smiled. “Always late for the party, Nikolai.” Nikolai did not smile. “A party requires salubrious surroundings. You’ve chosen unwisely, Kurt.” 

Kurt Schreiber nodded toward the vacant chair next to one of the Russian generals. “Sit, and shut up.” Nikolai said with contempt, “You’ve no authority over me, civilian.”

Kurt chuckled. “When you and I were colonels in the KGB and Stasi, you’d have called me comrade.” Nikolai sat and nodded. “Different times, and I’d have been lying to your face.” 

Kurt’s shrill, well-spoken words were rapid: “The Russian premier chose me to chair this meeting. Not you.” He placed his manicured fingers together. “That is telling.” 

“I agree. It tells us how low we’ve stooped.” Nikolai looked at the Americans. “Have the protocols been drawn up?” “They have.” Admiral Jack Dugan nodded toward the Russian generals. “It took us two days.” General Alexander Tatlin lit a cigarette. “It was worth the effort.” The Russian exhaled smoke. “The results are precise.” 

“Seems to me,” CIA officer Thomas Scott said, eyeing Nikolai with suspicion, “that you’re not comfortable with this.” Nikolai laughed, his voice echoing in the bare hall. “How can any sane man be comfortable agreeing to this?” “Kurt Schreiber’s idea is brilliant.” 

“It’s psychotic.” Nikolai looked at Schreiber and repeated in a quieter voice, “Psychotic.”

U.S. general Joe Ballinger pointed across the table. “Schreiber’s right. The act has to shock the fuckers into submission. Man comes at you with a knife; you defend yourself with a gun. Trouble is—we haven’t got anyone on our side of the fence who’s got the balls to do another Hiroshima or Nagasaki. So we make the decision, and it’s a sane one—as uncomfortable as it may make us.” 

Nikolai frowned. “You haven’t reported the true meaning of the protocols to your president?” 

The U.S. commander shook his head. “Nope, and we’re never going to. Nor are subsequent presidents going to find out.” He gestured toward his two American colleagues. “We’re the only Americans who’ll know the secret. No one else stateside would ever agree to this plan.”

“And that’s because they lack my . . . imagination.” Kurt withdrew two ink pens, handed one to General Leon Michurin and the other to Admiral Dugan. “Signatures, please.” 

The Americans signed a sheet of paper inside one of the files; the Russian generals did the same in their files; they exchanged documents, countersigned, and moved both files in front of Nikolai. 

The SVR officer stared at the two files. All that was needed to make this official was his signature on both documents. 

“Nikolai, we’re waiting.” Kurt’s tone was hard, impatient. 

Nikolai looked at the men opposite him; ordinarily they were his enemies. He pictured the two large rats, feasting at opposite ends of the third rodent. 

“Nikolai!” 

The Russian intelligence officer shook his head. “This is wrong.” 

“And yet the alternative isn’t right.” 

“If I sign this, millions of people could die.” 

“Not millions, you fool.” Schreiber smiled. “Hundreds of millions.” 

Nikolai couldn’t believe this was happening. He’d always hated Kurt Schreiber. The man was undoubtedly highly intelligent, but also untrustworthy, manipulative, and cruel, and since the collapse of East Germany he had made millions through illegal business ventures. Now he had the ear of the Russian president, and that made him more dangerous than when he’d been a Stasi officer. “How can you live with yourself?” 

Schreiber shrugged. “I view the deaths as necessary statistics. I suggest you do the same.”

Nikolai was tempted to respond but knew there was no point. 

Schreiber would not listen to reason. 

Pure evil never did. 

Nikolai gripped the pen, momentarily closed his eyes, muttered, “Forgive me,” and signed both documents. 

“Excellent.” Kurt reached across, grabbed both files, shoved one at the Russian generals, the other at the Americans. The former Stasi colonel smiled. “The protocols for Slingshot are now in place, ready for use should ever the need arise.” 

“Great.” General Tatlin stubbed his cigarette out. “So now we can get out of this shithole.” 

“Not yet.” Kurt placed his hands flat on the table. “How can we ensure that no one in this room ever reveals the secret of what’s missing in the files?” 

Thomas Scott huffed. “Slingshot won’t work if one of us talks. We’ve agreed that.” 

Kurt stared at nothing. “We have, but we need more than agreement.” 

“What are you proposing?” 

“Insurance.” Kurt looked at the men before resting his cold gaze on Nikolai. “Time can erode a man’s resolve. But fear can keep him resolute.” 

“Speak plainly.” 

Kurt nodded. “One day, one of you may wake up with a crisis of conscience and decide that he can no longer carry the burden of this secret. That can’t happen. So, my solution is simple and effective. The Russian president has authorized me to activate an assassin. He will be deployed as a deep-cover sleeper agent, and his orders are to kill any of you”—he looked at the CIA officer and smiled—“who talks.” 

General Tatlin lit another cigarette and jabbed its glowing tip in the direction of Schreiber. “You expect us to live our lives with a potential death sentence hanging over us?” 

Schreiber interlaced his fingers. “Yes.” 

Dugan laughed. “Take a look around this base, Schreiber. We’re the kind of men who like to have impenetrable security wherever we go.” 

“Impenetrable?” 

“Damn right.” The admiral’s tone was now angry. “Send out your assassin, for all we care. But you’re going to need better insurance than that.” 

“There is no better insurance.”

Nikolai wondered why Schreiber looked so smug. “Who’s the assassin?” 

The sound of rainwater striking the concrete floor seemed to intensify as Schreiber momentarily closed his eyes. “You know of him by the code name Kronos.” 

“Kronos!” Nikolai’s stomach muscles knotted. “Why was he selected for this task?”

Before Schreiber could answer, General Ballinger asked, “Who the hell is Kronos?” 

Nikolai looked at the American commanders as he began to sweat. “He was a Stasi officer, tasked on East Germany’s most complex and strategic assassinations. Since the collapse of communism, he’s been on the payroll of Russia. He’s . . . he’s our most effective killer. One hundred and eighty three kills under his belt. Always successful.” As he returned his attention to Schreiber, he felt overwhelming unease. “Why was he selected?” Schreiber opened his eyes. “Because the Slingshot secret is so vital. We needed our very best assassin to ensure that”—he swept his arm through air—“no amount of impenetrable security can protect a man who might betray us.” Schreiber checked his watch and looked toward one of the far corners of the mess hall. In a loud, clipped tone, he called out, “Show them.” 

Nikolai and the others immediately followed Schreiber’s gaze. At first nothing happened. Then, movement from within the shadows at the corner of the room. 

A big man stepped into the light. 

Standing directly underneath one of the streams of water pouring down from the ceiling. 

Was motionless as he allowed the icy rain to wash over his head. 

His handgun held high and trained on them. 

Kronos. 

Schreiber smiled and looked at the others. “Not only did Kronos get past all of your men, he did so with very precise timing. I ordered him not to enter this room until one minute ago, so that the contents of our discussion would remain confidential to only the men around this table. Since then, he’s been pointing his weapon at you.”

General Michurin slammed a fist down onto the table. “How dare you make fools of us!” 

Schreiber responded calmly, “It wasn’t my intention to make fools of you. Rather, to demonstrate to you that you do indeed have a potential death sentence hanging over you.” He darted a look at Kronos. “Give them what they need.” Nikolai felt fear course through him as he watched the German assassin take measured steps toward the table, his gun still held high. Though Nikolai was one of only a handful of SVR officers who was cleared to know all about the Kronos operations, he didn’t know the assassin’s real name. Moreover, this was the first time that he’d been in the presence of the man. Kronos was well over six feet tall, muscular, had black hair, and was wearing clothes identical to those Nikolai had seen worn by the base’s protection detail. 

Kronos lowered his weapon, withdrew a piece of paper from his jacket, tore it in half, and slapped one piece of paper on Admiral Dugan’s chest before moving to the other side of the table and doing the same with the other bit of paper on General Michurin. 

Schreiber spoke to the Americans. “I suggest you bury your paper deep in the vaults of the CIA.” Then to the Russians, “Put yours in the SVR vaults.” He cupped his hands together. “Never combine them, unless there is reason to do so.” 

“Reason?” 

“One of you needs Kronos to put a bullet in your head.” 

“You . . .” 

“Enough, admiral!” Schreiber composed himself. “The relevance of the two pieces of paper will be made known to you if the need arises. Until that time, Kronos will vanish. No one, not even me, will know of his location. He’ll wait for years, decades if necessary, until he is . . . needed.” 

Thomas Scott shook his head. “Our men have been here for three days.” The CIA officer felt disbelief. “And when they arrived, they searched the entire base.” 

General Ballinger shrugged. “There’s no way he could’ve penetrated the base today. He must have entered the complex before our men arrived and hid in a place they failed to search.” 

“That’s the only possible explanation.” Admiral Dugan pointed at Schreiber. 

“Next time we’ll be more thorough.” Schreiber grinned, though his expression remained cold. “Kronos—show them where you were two and three days ago.”

The German moved around the table, placing a photograph each in front of the Russians and Americans. Incredulity was on all of the men’s faces as they stared at the shots. 

Each showed the inside of their homes in America or Russia. 

A local newspaper clearly showing the day’s date. 

And Kronos pointing the tip of a long knife toward family photos. 

“Bastard!” 

Kronos retrieved each photo, placed them in a pile in the center of the table, and lit them with a match. Schreiber watched the flames rise high. “Our meeting is concluded. You will take the Slingshot protocols back to your respective headquarters. You will secrete the torn papers as instructed. You will keep your mouths shut. Otherwise, my assassin will find and kill you.” 

Kronos stepped away from the men, hesitated, then turned to face them. In a deep voice, he said, “Gentlemen, I left all of your men alive, though I must apologize for the harm I had to cause some of them.” 

Then he disappeared into the shadows.